Masterclass: Beth Turrell Producer/Commissioner
Take home message: "you can be anything you want to be"
Went to Royal Holloway and the culture was a polar opposite to what she was use to-more high brow and a bit of a culture shock. Her roots inspire here work even now and the decisions she makes.
If you can crack brilliant storytelling you'll be fine
Whats important in the world right now- Why now?
THINK ABOUT THE AUDIENCE
Started off as a researcher for the BBC by fluke.
Got her teeth into 'What do artist do all day' BBC Four Documentary
Develop some ideas
Three pillars to Documentary:
It's implicit and its current
When pitching people want to know WHY NOW?
Find what's current and look at from a different perspective
What type of storytelling works for them
Beyond the music: Grime Photography with Sian Anderson
Difficult to understand what is going on with documentary
BBC THREE NEEDS:
• Relevance: the ideas and themes that matter to our audience
• Talkability: compulsively shareable content that gets people talking
• Timeliness: things that impact young people’s lives here and now
• Originality: our content can’t be derivative, only innovative
Know your commissioner and who you're pitching to.
Keep it simple and don't overcomplicate
Treatment:
Britains got talent, magicians do really well, but usually a singing or dance group will win. Know your commissioners, be passionate and don't be held back by thinking its silly.
References:
https://www.bbc.co.uk/commissioning/tv/articles/bbc-three
Went to Royal Holloway and the culture was a polar opposite to what she was use to-more high brow and a bit of a culture shock. Her roots inspire here work even now and the decisions she makes.
If you can crack brilliant storytelling you'll be fine
Whats important in the world right now- Why now?
THINK ABOUT THE AUDIENCE
Started off as a researcher for the BBC by fluke.
Got her teeth into 'What do artist do all day' BBC Four Documentary
- Stories that understand how we see the world
- That can take form in many different ways
- Make your case not moan. If you have an idea and get the opportunity to just shout but make sure you can back it.
Develop some ideas
- Commissioners don't want to read loads of text so should be a really visual pitch make idea in one line
- Tabloid title, broadsheet content
"YOU LIVE OR DIE BY YOUR IDEAS!"
Three pillars to Documentary:
- Access
- Format
- Story
It's implicit and its current
When pitching people want to know WHY NOW?
Find what's current and look at from a different perspective
What type of storytelling works for them
Beyond the music: Grime Photography with Sian Anderson
"Never stay in your comfort zone or you'll make a bad film"
"90% of ideas pitched don't get commissioned"
Difficult to understand what is going on with documentary
BBC THREE NEEDS:
• Relevance: the ideas and themes that matter to our audience
• Talkability: compulsively shareable content that gets people talking
• Timeliness: things that impact young people’s lives here and now
• Originality: our content can’t be derivative, only innovative
Know your commissioner and who you're pitching to.
Keep it simple and don't overcomplicate
Treatment:
- How is it distinctive
- presentation is key
- outline the story
- know everything
- example scene are useful
- Get a lot of pre-production done on development
- Locations, where they are going to shoot
Britains got talent, magicians do really well, but usually a singing or dance group will win. Know your commissioners, be passionate and don't be held back by thinking its silly.
References:
https://www.bbc.co.uk/commissioning/tv/articles/bbc-three
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