As Live Production: Moodbaord




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Pre Production: Editing the Trailer

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Editng trailer wasa difficult process with such limited video footage. However, having researched different Netflixtrailers, I found I genuinelely liked their style. One crucial part of this, however, is having the footage to produce this and this is something I would like to improve, so I am treating this as a trailer tester to see if the style works for our documentary and how I want it to look.  So far I have only been able to use footage from 'The Innovation of Justice' Shoot and also archive photos and videos. Whilst these are elements I will include in the actual trailer, I would want more interview and scene recreation footage to make it better branded to our film.  The Editing Process  behind this was fairly difficult but after brainstorming some ideas and researching into other trailers form Netflix I found a style I liked and a lot of that style came mostly from the edit, the choice of footage and audio and editing style. My first step in actually e...
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Studio Production: Practice VT Edit

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As director, it was my job to sit-down with the editor and go over with them my vision behind the piece and how I would like it to be edited together. Me and Alex went over the edit together to see what we wanted put in place and where. Above is the final practice VT outcome. I think we really made the most of our location and used it to improve the stylistic qualities of the piece. However, there is a lot I would change for our final VT Shoot. The first being the setting. I would ideally like somewhere more appropriate to really show off the outfits and era. I would also ideally like to get more coverage, but because of time and problems in planning from our producer, I was left to improvise on the final shoot day with ideas. I knew roughly the sort of thing I wanted so it wasn't a complete issue and me and the producer worked well together in overcoming this. This is what practicing is all about and we have all learned form the mistakes here, which we will hopefully be ...
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Masterclass: Beth Turrell Producer/Commissioner

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Take home message: "you can be anything you want to be" Went to Royal Holloway and the culture was a polar opposite to what she was use to-more high brow and a bit of a culture shock. Her roots inspire here work even now and the decisions she makes. If you can crack brilliant storytelling you'll be fine Whats important in the world right now- Why now? THINK ABOUT THE AUDIENCE Started off as a researcher for the BBC by fluke. Got her teeth into 'What do artist do all day' BBC Four Documentary Stories that understand how we see the world That can take form in many different ways Make your case not moan. If you have an idea and get the opportunity to just shout but make sure you can back it. Develop some ideas Commissioners don't want to read loads of text so should be a really visual pitch make idea in one line Tabloid title, broadsheet content "YOU LIVE OR DIE BY YOUR IDEAS!" Three pillars to Documentary: Access Format ...
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